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"Views From Hotel Windows"
By Catherine Friesen

i.

Drops of water form contours
on the outside of the pane; lights
from the street, orange-hued
glow, refracted and
dissipating. Uneven skyline lit up
by luminescent clouds, sunlight
trickling through the cracks.
Footsteps along the cobblestones
below and the hum of a train
in the distance.

ii.

A vast oak bending sideways
over a brief concrete lot and
beyond, hard-packed dirt trail
bordered by ferns guiding to the
sea. A boat with a break in the hull;
names carved into a downed birch;
bioluminescence in the tide. Nothing
but saltwater and the call of gulls
and a great, hulking horizon.

iii.

Snow when there shouldn’t be.
Old train station where cabs stand
abandoned, overtaken by Canada
bluegrass and buttercups.
Stone steps down to a thin beach
of dead salmon and bird bones.
An A-frame cabin hidden
among the saplings and a boathouse
with no boats. A train going by
on top of the mountain, obscured
by trees.

iv.

The faces of
buildings: red brick, narrow, smeared
windows and neon signs. A curtain floating
through a window, ghost-like
in the breeze and the hum of
an air conditioner. Concrete
below and too many cars. Tin cans
in plastic bags; shopping carts; someone
shrieking at a car alarm
before the sun comes up.
No skyline.

v.

Alien landscape of desert hues.
Skyscrapers drenched in neon
and glass, lights blinking, disembodied
music from too many places coalesce
and drop heavy to concrete below.
Too many colours, not enough
space. Far off, burnt cliffs
cut with memories of
somewhere else.

 

"Zoe. Zoe."
By Autumn Wieler

I LOVE the relationship we have now   

We used to share the same room and talk to our imaginary friends together 

We DON’T need to have matching  

outfits to get along 

we used to wear matching clothes and have our own secret language 

You were my best friend, we used to tell each other everything used to lay with you as you fell  asleep, under pink blankets and warm sheets 

We DON’T have to be into the same  things to talk 

The moment Mia was born everything changed YOU are my sister and nothing can change
that 

She followed you around like you were magnetic, she never followed
me  

YOU still love me just as much as you did back then 

You showed her things that I didn’t like     YOU still remember all the things that we did
back  then 

You taught her to climb trees and to draw YOU still are happy and giddy as you were back then 

She became more like you than she was of me 

YOU still gossip with me and dance with me  

to songs 

As we grew older you two were more alike 

With you our time together was different 

          We bonded over other things, boys, movies, and friends 

As much as I miss our childhood together 

I still remember that time and how I looked into your glassy blue eyes 

and how your lips matched the colour of your nightgown, and how your arms hugged my torso

"An Ode to This Friendship Bracelet"
By Eva Davey

Do you miss my wrist?
for too long the best day of my summer was driving into a different city to gather your contents
choosing your colours and letters
that would eventually fade away
much like the connection between the two that made you
for two years your knotted spring became an iron grip
there was a bleak time I thought I had lost you
rain fell heavier
my chest anchored down by the weight of disappointing them
my sister drove me to a parking lot to find you
I could have cried (I did)
then you were there tucked into his sweater sleeve
Oh friendship bracelet,
you became a safety net
one he stopped laying out less
our tightrope relationship no longer binding
Oh friendship bracelet,
do you miss my wrist?

"Nostalgia"
By Rachel Kelly

Nostalgia used to be a positive feeling 
It was embedded with warmth and safety 
I could remember the sound of your sleeping
And your fingers upon my skin tracing

Nostalgia came at our gaze of the popcorn ceiling 
We traced out all these silly shapes mainly
But I remember the stories that we were reading 
And your body and mine in sync breathing

Nostalgia used to be a positive feeling 
It never made me cry or feel crazy 
I now wish to forget the footsteps of your leaving
And the feeling of my neverending anger seething 

Nostalgia came at my late midnights cleaning
I found your T-shirt, fitted me so baggy 
I could still smell you, though it was weaning 
And the feel of the cotton, made my skin gleaming 

Nostalgia used to be a positive feeling 
It now wakes me in the night tearfully 
I remember now all your screaming 
Lying, Crying, and your Manipulating 

Nostalgia now comes when I’m dating 
His smile, his touch, becomes like poison ivy
I’m trying to forget you by undressing 
He is so sweet but I don’t know why my love is drifting 

Nostalgia used to be a positive feeling 
It always left me reminiscing 
But nostalgia is a lie made for double guessing
God I wish your love was neverlasting

"I didn’t get enough sleep last night"
By Catherine Friesen

and something about deprivation

has me feeling 

hungover, my body 

purging sleep it didn’t even get 

while dogs howl at 

nothing and elsewhere, bodies 

sleep deeply, dream of blue 

mountains and of not having 

to wake up. Now, hours later, 

I’m here: paint-splattered and 

rosy-hued, spiraling 

while I slap floating lily 

on a primary green shelf, 

the one that’s lived in punk houses 

and seen too much shit 

and now holds my dried baby’s 

breath, my fireball, my laptop, 

stagnant below clay lemons 

and floating oranges and 

a tropical plant I always forget 

to water. Now, hours later, 

the shelf dries and the sun sets 

and the fireworks 

that shouldn’t be happening

shatter against a stern, indigo skyline

while I sit delirious from sleeplessness 

and paint fumes and 

count the minutes until I fall 

asleep.

"dry mouth"
By Laurel Logan

my body sleeps,
wakes,
when the clock strikes
my knees / head / chest /
twelve.

"Your Story in Me"
By Lee Cook

I met you at the start of a new year
A gleaming face, pure, and clear
Looking to be connected, fulfilled, no sense of fear
I never expected this
You told me a secret
That I keep in my heart
Never a soul to hear
For I knew the words you part
A mask I remembered
We walked the trails,
Birds sang, while your voice rang
The story you hid
I felt it
I talk to you,
I see you,
I understand you
The secret, the mask, the story
A reflection
I remember hiding my secret
Putting on the mask
Locking away the story
I see that in you
Old pains
I told that secret,
I removed that mask
I let that story go
To have my face
Past into Present
In time
You will have your face too
I see that in you
I know what you will endure
To see what I see now
Because the secret you told
The mask you wear
The story you hold
Is something we both share

"The Farm Wife"
By Gerry Eggert

She glanced out the kitchen window as she baked
His favorite buns
 
Much older now, he still drove the tractor, true and straight
The money was better, they had a farmhand
He still was often out there. Prove he could
 
She remembered back when she would walk out
Climb on behind him
Stand with arms around him as the old tractor lumbered along
True and straight
 
The field was smaller now
She remembered when she couldn’t see to the end of the rows
 
She had watched him through the years
And watched the long rows grow
Watched the beauty as the crop changed colours
And when it was corn, she could hear it grow
 
It was different now
The food came differently
Came from glassed-in fields and countries afar
 
The children were gone
Little interest in the land
Patiently waiting as the buildings and homes
Closed in around
And the crop became the land
 
She wiped her hands on her apron
Untied the strings
 
She would walk out to the tractor once again
Climb in behind him
Glassed-in and no longer lumbering
She would still hold on to him

"you shaped"
By Laurel Logan

my hands stones rolling down
to touch my toes. from this point
i don’t uncurl: stay u-shaped and heavy.

my world upside down, yet momentarily
for the better; just as sleeping during
the day feels better than at night.

dazed, i forget how to spell: picture
the word “hearts,” but pronounce
it “hurts” in a moment of confusion.

blood rushes to my head: i turn red
as an aril. a hand on my side:
she unfurls me like the fronds of a fern
in the open air;

when my face meets hers i’m lightheaded
and double visioned.

when i kiss her once,
i feel her lips twice.

"Town on a Winter Evening"
By Catherine Friesen

This started as a poem about the town 
but soon turned to something else: 

streetlights luminous in the oily darkness; 
an owl calling for the night; neon lights 

of the gas station glowing rudely 
beside a drugstore open too late. 

A half-moon standing half-mast in the 
sky, double heartbeat of stars pulsing 

over the mountains, the mountains hiding 
everything: evergreen gems on a 

steep incline, slick caves, streams rumbling 
and slicing through rock along 

a winding road heading toward 
nothing. One cabin on the side of the 

mountain, its light blinking on and off.
High up, snowline tumbles closer, purging 

colour and shadows, faint glow in the night. 
High up, clouds slip over the stars 

like a shroud, fresh impermanence 
penetrated by nightfall.

"Let Me Stay Here"
By Eva Davey

Tears slipped out when i got to trace your face with my fingers
no words could flow out
but i imagine if they could the only thing audible would be

“Thank you for letting me look at you”

it was overwhelming
the idea that i could lay here with you
head on your shoulder
and that for in this second of a minute of a moment
it was just us
everything appeared as evergreen
never leaving the space we created

but it was just an idea after all.

"To the place I’ve never been"
By Joshua Lepon

I remember your auburn hair

I caught a glimpse of the setting heavens
Interlocked within your weaves translucent,
In my mind forever etched is the sleepy sun’s scent

I remember when
But I do not remember where

I remember in my days nascent 
I saw you
Within a dream
Or in between slumber and a kiss

I remember then
I fell for you unforgettably
As Summer does for Winter

Relentlessly with every passing year

My heart yearns;
A sudden fleeting yet lingering great wistfulness
An indescribable gravitation
A futile remembrance

And my heart aches;
A pining I do not understand
For what, I do not know
To whom, I may never meet

But my feet are restless homeward to you
To somewhere in this vast cosmos of unknown
For something perhaps nonexistent
Whose sole proof of existence is this inexplicable longing, 

That I feel only for you

"It’s Called Anticipatory Nostalgia"
Lindsey Roberts

My therapist tells me to stay in the moment
Enjoy it while it lasts
Don’t think so much about the after.

How do I explain that the after is what scares me?
The looming

end

of a joyous occasion
It holds me back from fully relaxing, savoring.

It’s me smiling and laughing with my friends
On a beach watching the sunset, toes in the sand
The warmth of happiness bubbling around in my chest.

A snap of realization, WAIT, I don’t want this to

end

Pop, Pop, Pop, the warm bubbles burst
I’m left with a sharp, cold pang of longing.

Longing for this perfect moment in time
But I’m still here, it hasn’t come to an

end

yet
It doesn’t matter, there will always be an after.

And the after is what makes me sad, makes me scared
A rollercoaster of bliss all the way to the top of the tracks
Except the drop comes too early and I’m falling before everyone else.

This is what holds me back from staying in the moment
My mind is scared to let go of these things that bring me joy
Even if that means never fully experiencing them, I guess.

Nostalgia before it’s actually time to be nostalgic
The after getting in the way of my right now
I want to stay in the moment and enjoy it while it lasts.

I just don’t know how to, when everything good must come to an

end.

"double feature"
By Laurel Logan

the pillow: sour,
muggy and i don’t mind; earlier it lay
calmly on the needlepoint chair that sits
in the corner of my room.

now, in the flurry
and dizziness of smelling
her shampoo, sweat,
our heads rest against it / each
other in the backseat
of my car. the memory of the island
doesn’t wipe from my mind,
but rather,

vanishes

with the vapour
through the open windows

(though i know i’m not immune
to it returning)

for right now, i wish to be open
like i was back then, with the intention
of letting her sink into me
like a stone through clear water.

"To Evelyn"
By Eva Davey

I sat on those pale floral couch cushions more times than I could ever count,
and the last time I did my feet could finally reach the ground.

I picked at the wallpaper behind the armchair where no one could see,
and took the scraps home with me.

I slept in the twin bed with itchy pink sheets,
and it didn’t matter because it was at your house.

I watched the melodramas with you,
and pretended I cared because you did the same with my Saturday cartoons.

I remember how it seemed as though everyone knew you,
and I never had to explain how special you were.

I laughed at the plastic cap you used to keep your hair out of the rain,
and though that one day I would have to do that too since that is what grannies do.

I see a snow dusted landscape,
and remember how excited you were for me to come here since you loved it so much.

I close my eyes and can still feel the warmth of your bungalow,
and the equally comforting way you held on to me.

I wish I could sit on that couch one more time or had kept the scraps of wallpaper or feel the static of the pink sheets again.

I think back to childhood,
and your face comes into view.

I used to think I was homesick until I realized it was only home because you were there,
and now I’m only nostalgic.

From,
Your wain

"i still remember"
By Emmaline Spencer

the day we first met you were so small
you cried more than you laughed but
youd hold me tight no matter what
the glimmer in your eyes hid a mischievous
glint that was as sharp as the scissors
youd one day use to cut my fluffy fur

i watched you take your first steps
each one more confident than the last
along with your height marks on the doorframe
you grew more clever and courageous
i was lonely but youd always come back
and hug me tight when the days were bad

ive been in the dark for so long now
my once fluffy fur has become matted
and coated in layers of dust in this
damp attic i now call my home
some of my filling is loose and seeps
out of the tear from my arm you swung me by

youre so much older now and have
little wrinkles starting to appear
but the glimmer is still in your eyes when
you pat off the dust from my fur
your first gift to me in years is a fresh wash
and a careful sewing job to patch me up

you hand me over to a little girl
she looks just like you when we first met
she hugs me just as tight as you and i know
this is the start of my next adventure
she will take me with her everywhere
and we will watch her grow together

"Yearning for Yesterday"
By Cobi Timmermans

In this series, Yearning for Yesterday, the main character longs for what she believes to be better times in the past. She is nostalgic for an era and a version of herself that is gone, and is thus isolated with her vices such as cigarettes and alcohol. She feels stuck, and desires to leave her present and escape to the past, but through her romanticism, she forgets the hardships of the past that prevailed. This series, inspired by vintage films, was photographed in 2020 and questions whether we should be nostalgic for “normal” life — as it was before COVID-19 — or if there are societal changes that can be made for a different and better future.

Photo of a person in a nightgown smoking in front of a mirror. They are cast in red light, as is the wall behind the mirror. In the mirror, we see the room behind is a cold blue. On the vanity with the mirror is a glass and a small liquor bottle. The person is looking away from the mirror at something not visible, seemingly lost in thought.
Photo of a person standing in the dark. They are lit by a bright red light from one side, and what looks like car headlights from around knee-level. They are wearing a suit jacket and short skirt, and holding two old-fashioned travel bags as they look towards the light.
Photo of a person reflected in a mirror. There is a strong orange/yellow light throughout the photo. They are lying across the foot of a bed on their back, smoking a cigarette. They are wearing a bra and jeans, and reading "Life" magazine.

"The Pier Encore"
By Gurtaj Dhami

Photo taken across water shows a nearer landmass covered in trees, and a distant mountain in the centre of the frame, surrounded by the pink clouds of a rising sun.
Photo of seagulls perched on the railing along the White Rock pier. The ocean stretches out far in the distance, with other landmasses barely visible across it.

Sun rising from the east,
against the dark night before
Shining stars are the least,
along a pastel sky, to adore
Having the sight, at last,
    I recall the inshore

Blue water under the pier,
not far from shore
Birds flying from the rear,
chirping more and more
One day in the year,
    calling me even more

Standing tall and still,
with light breezes to explore
Feeling the chill,
    one last time, before,
Coming back to fulfil,
    the memories encore

Photo of a pile of large rocks next to the ocean on a beach. The camera is looking out across the ocean, where pinkish clouds make it clear the sun is rising.
Photo looking directly down a pier just before dawn. A sign above it reads in florescent text: "White Rock B.C. Canada. Canada's longest pier." Two blue banners flanking that sign repeat the message. Further down, more lights illuminate the pier, seeming to get closer and closer in the distance until they become one red and yellow glow.

"Left Behind"
By Andrew Majka

Nostalgia is not always a logical feeling. It can make us spend hundreds of dollars on an old TV and long for a time in the past when things were worse, but different. I felt nostalgia while immersed in this old home despite never stepping foot inside before. I suppose that between the old furniture and magazines printed well before I was even born, there was enough left behind to make me feel nostalgic for the life of someone else entirely.

Black and white photo of an abandoned house's interior. The ceiling's plaster seems to be crumbling, and chunks litter the floor. Several pieces of old furniture, including a chair in the foreground, look worn and disused. A balcony door is pulled open, and one of two curtains is pulled outside of the home, letting bright natural light into the dark room.
Black and white photo of the ceiling of an abandoned house. Rafters in an unusual pattern segment it into squares. Two of them have small, old-fashioned light fixtures hanging from them.
Black and white photo of a hot water tank in an old abandoned house. A small window is filled with cobwebs, and light from it cast harsh shadows on the scene.

"To Ash"
By Sabrina Morgan

This painting was created around the traditional idea of burning letters, as the primary reference was a mirror photo where the phone was replaced by a letter. Nostalgia is often associated with fond memories and trying to get rid of that feeling is what this painting represents.

Getting rid of the fond memories helps a person grow and as the memories are physically burning away they are now burning away from the subject’s mind.

Painting of a person in front of a black background. They are holding up a letter as if it were a smartphone. One corner is on fire, illuminating the blackness around it.

"Cornerstore Memory"
By Brianna Collins

When I was a child in the early 2000s I would go with my father to various corner stores, and while he was working I would have a milk crate set up in the comics section with Archie comics and a refillable slushie cup. My father now is in a care home living with Parkinson’s disease, but I always look back to these times when he was working with fondness and nostalgia, spending time with him.

Illustration a pile of items in a bright, nostalgic light. The items include: A large slushie cup with a red slurpie inside; an up-side down milk crate being used as a table; a tool bag with a wrench and some screwdrivers poking out; the leg of a ladder, reaching out of frame; and in the foreground a stack of Archie comics.

"Kiss Me Thru The Phone"
By Piper Hornall

The many heart-wrenching, gut-punching phone calls in this world would be best suited to a classic flip-phone snap-shut ending. Something about the tappable red circle just doesn’t do emotional turmoil justice.

Illustration of an old Motoloa cell phone (flip phone) in front of a red and black checkered background. Text on the phone's screen reads "the devastation of a phone call."

Carolina Talcan

Illustration of hands and arms in various poses and holding various items. They are: marking a drink; rolling a ball; holding up a teacup; riding a bike; running; raising a hand in triumph; holding up an corded phone; clenching their fist in frustration; pointing to the sky; holding up a telescope; writing a letter; eating a giant slice of pizza; waving a paper fan; holding up a smartphone; holding open a book; covering a mouth in shock; clasped together in prayer; holding a flower; writing on a notepad; holding a bowl of noodles; holding a revolver; holding a cane; and holding a camera.

“History in our hands”
Colour pencils over paper, 21 x 29.7 cm

Pencil illustration in a notebook of three young boys sitting cross-legged on the ground, seemingly in conversation with each other.

“Offspring”
Graphite pencil over paper, 9 x 14 cm

"The Mario Bros."
By Jeff Mijo-Burch

Memory is fragile, fallible, and frankly unreliable. But within a memory are snippets and details that are so specific that they must be true, even if the context we recall them in might bear little resemblance to what really happened. Yet from those pieces, those details that make up the whole, we build a memory so clear we can relive it in full detail.

I remember when I was young, about eight (but I always seem to be about eight in my childhood memories). It was the evening, a dark day, perhaps winter. And my brother and I were playing Super Mario Bros. on our NES (the original Nintendo Entertainment System). We were always at least a decade behind the times on video game consoles, finding most of our games at garage sales and tucked away in the back of thrift stores.

Our TV (a 30ish inch CRT that weighed more than me and whined at a very specific frequency) was in the basement. And that presented a problem: the basement was scary. It was dark and unfinished, with uneven cement floors, a ceiling perfect for cobwebs, and very little natural light. We didn’t go into the basement alone. Especially not after dark.

There was a loveseat in front of the TV. An off-white one with a floral pattern, which wasn’t nice enough to go upstairs but was perfect for watching movies. But if we sat there, we’d never be safe from whatever nameless, unspoken horrors the basement held (and also the very tangible horrors of an unexpected house spider). Thankfully, we had a solution.

After finding some brief courage, we dashed down to the TV, pulled up a chair, and set the NES on its seat, as far from the TV as its cord would reach. Then I hurried halfway up the stairs (which had no back, and conveniently faced the TV). My brother passed up the controller, reaching it in between two of the top steps, almost the full extent of the cord’s reach, but just enough. Then he hurried up too.

We sat on the stairs, if our pose could be considered sitting: stomach down, knees on one step, elbows a few steps higher, holding the controller that passed in between steps. It’s a good thing we didn’t need glasses yet, because the TV was well over 20 feet away. We ate dinner there, passing the controller back and forth (he was Mario, I was Luigi, like younger siblings always have to be). It was fish and chips (or rather, Highliner breaded fish sticks and frozen french fries), with a side of corn. Our unconventional table, with its avocado-coloured shag carpet, was at the perfect height to minimize the distance between plate and mouth, so we could eat our meal without disrupting the game in any major way.

We played the game for a long time (relative to how long we normally played games, back when screen time was something to be monitored by parents). And in my memory, those hours are vivid, and playing games like that, eating food on the stairs, and straining to see a TV that was too far away, was a large part of my childhood at that age. In reality, I couldn’t tell you if we did that once or a hundred times. But it doesn’t really matter.

"Yesterday and Tomorrow"
By Bradley Duncan

I’ll call tomorrow. Don’t be stupid! No. That’s what you said yesterday — you promised yourself — and now yesterday is today. Ten digits. Ten digits hastily scrawled across a yearbook page beneath a generic “have a great summer” declaration. Just call. Just. Call. Just call! Ha! It’s been weeks and you’re still in the same holding-pattern. You’ll never know if you don’t call. What if that number doesn’t mean what you think? You don’t even know what you think it means! A clammy hand picks up the receiver just to place it back in the cradle. Who would even answer? What if her dad answers and I get grilled on the phone? What if her brother answers? What if she’s not home and I have to leave a message, and they ask why I’m calling? Jesus Christ, I can’t just call. We had one dance. One dance and an obligatory note in a yearbook with a phone number. She was probably just being nice. No, she was definitely just being nice. She’s both notoriously nice and notoriously out of your league. Not to mention, she doesn’t live remotely close to you, so you’ll never just run into her. This is it. Now or never. Just call. Wipe your goddamn hands.

What if she asks why you’re calling? Are you asking her out on a date, you car-less peasant? You have literally nothing to offer. No job. No money. You said a dozen words to her in five years of high school. Five of them were: Do You Want To Dance? She probably thinks you’re a monosyllabic troll. She was just being nice — but she also said yes. And you remember the way her waist felt, and the way her hair cascaded over your shoulder when she leaned close. You were too nervous to enjoy it then, and now every few days you play that Bon Jovi song — the song it took you hours to download off of Napster because your sister kept picking up the phone. Well you’re hung up now, buddy. Just do it. Just call. Be bold, and brave, and just pick up the phone — and call. You’ve got nothing to lose but the anxiety. I’ll call. I promise. Tomorrow. I promise I’ll call tomorrow.

"Apophenia"
By Skylar Janzen

I have fallen into the habit of drowning. The water calls to me, although it is not the only thing. I tell you this so you do not worry about me. This is not me admitting defeat; I’m just looking for some answers. Because here’s the thing, nobody visits my hometown unintentionally. It was never a pit stop, always the destination. The winding bridge descending into town is the only clear point of entry. Nowhere to go from here but up, right? I suppose that is what I convinced myself every time I came back. Every visit held the possibility that this time, something would be different. I see myself everywhere. Ghostly versions from years past. As I drive past the beach, I catch sight of myself again. Flick the blinker on. Follow suit. The parking lot is empty; the crisp fall air is not the most indicative of beach weather. I try to envision the version of the lake my younger self stares toward aimlessly. Gingerly sit next to myself at the end of the dock. In time they break the silence as they hop off the deck, and silently slip into the lake. Turn. Offer me their hand. So I take it. I walk into the water, and I don’t stop walking. The water nips at my ankles, entangles my legs, chills my chest, and eventually slips in past my lips. Salt. Not from the source itself, but from the bodies and memories it has cradled over the years. The tears it has tasted. The stories it has been told. Closing my eyes, I let it encase me. Eventually the cold of the water feels like little more than a distant memory. Instead, I feel the warmth of the sun on my cheek. Something strikes me, and I feel my cheeks flush. Look over to the fragmented group of memories I once called friends. Next to me is Evan, propped up on her arms in the sand. Her freckles emboldened against her summer skin. God, I have thought of this face often. We are surrounded by laughter so joyous I can’t believe I ever dared to try to best it. A lightness I have not felt in years. I feel the electricity of her leg as it presses against mine as she adjusts. Nothing will make you feel so alive as the innocent presence, the simple reminder of another human against you that you have not yet been given the grace to touch freely, boldly. It is the purest sense of longing that can be felt. Do you remember your first love? The first time you found yourself caring about another person other than yourself? Without obligation. The first love that was up to you (as if any of us have any say in the matter). We love the familiar, don’t we? We remember the newness of infatuation fondly, but neglect the bad. We hold onto the idea that things would be different, better, easier, if only we could just do it again. We would love them better. I do not know how to describe to you the melancholy of having to experience the memory of falling in love for the first time again. As present as I try to be in the past, as much as I try to smile and laugh and joke at the right moments, try to take in the beauty of friends I would grow to take for granted, it is all tinted with inevitability. At that age, Evan would have never believed me if I told her that I would be the last one to leave. That I would become trapped in the town’s pull over the years — visits with friends over university breaks and summer jobs eventually dwindling as they found their lives outside of this fiction we had fostered. After they made their own realities. Restless bones always settled somewhere. Whether voluntarily or not, I know that rest will find me. Or at least I hope it will. I kick my feet in the water. Realize I am alone. I meander through town. Unable to make myself enter any of the old haunts, I need somewhere to make myself feel grounded. I find myself overlooking the lake, on a rock where I once kissed a boy who did not deserve my mixed signals. The arena and main street are behind me, the train tracks and tourist homes below. A strange precipice. I can see the blurs of figures and emotions this place has witnessed, a blur of long exposure. Teenage debauchery leaving hockey games, families wielding warm drinks while waiting for fireworks, underpaid locals vying for the bench on their lunch breaks. I feel it all as a hazy memory. The details are forgotten but the general form still holds. Despite the goosebumps on my prior skin, the alcohol kept something alight within me. The arrogance. The hubris of it all. Recalling it all, I wish I had a drink now. Something a little too sweet, a little too carbonated. Something that would make me wish in the morning that I had known when to stop. I want a drink that feels like summers at the lake, swapping secrets while we truly see the stars for the first time. I sigh. I keep walking. Run my fingers through the helicopter leaves as I breeze down the hill, wonder what would happen if I did run. Attempt to fly. My nails are cut to the quick. As I make my way back to the water, I fidget. I falter. I grip at ghostly flesh and realize how much it hurts to hold on. Even after all these years, I find myself wishing I could love her now. Find myself wondering how much better I could be at it. I have been broken down and reborn more times than I can count. What ego must I have to assume one person could fill another’s voids entirely? That as we break, and change, and grow, we could continue to intertwine like plant life blossoming through a skull. Water spilling into soft lungs. Bold of me to assume that it was not enough to simply exist. To just be. To share the time we have together, love it so, but have the grace to release it again. I toss a stone in the water; it does not even skip once. I watch as the ripples distort my reflection from the shore, dying unending deaths of their own. I have never had success with letting go. The girl I once loved no longer exists. I know that now. Even the version of myself held by others no longer exists. But this is not me admitting defeat. I walk into the water.

"What a Time to be Eight Years Old"
By Veronica Powell

Everything was better when we were eight. 

When there’s a storm, it’s raining with thunder and lightning. We get scared, but our parents are always there to cuddle up under a blanket with us to protect us. They always said, “don’t worry, it’s God moving furniture around.” You would pause for a moment, wondering if that was true. Then you’d shrug your shoulders, and suddenly you were a little less scared. When we would watch a movie, our moms would make us hot chocolate with peppermint and put it in our favourite mug. She would say, “careful, it’s hot. Don’t burn yourself.” You’d smile and feel the warmth of the drink brush your face. She’d say, “do we need popcorn?“ You felt a tingle inside your stomach at the thought of it. “Oh yes!” you would say. 

When we were going to do some shopping, our parents would help us into the car and strap us in, making sure it was secure. “Ready?” they would say. “Yup,” was all we said. 

As we drove on a fall day, we would watch the rain droplets land on the window and look deeply into the clear drop. We would watch as gravity forced the drop to trickle down the window until you couldn’t see it anymore. 

When we were at the store, we would watch our parents intently as they picked out each item off of the shelf. You’d say, “can I get this, Mummy?” Your mom would say, “no, honey. Maybe next time.” Then you would ask Dad. “Daddy, can I get this?” He would smile. “No honey, listen to Mummy.” You would get upset for a moment and dreadfully put it back. You would hang on to the cart to make sure you didn’t lose them. 

When we would go for a bike ride around the park, we would pedal faster if we thought our parent was going too fast, we didn’t want to lose sight of them. “Come on, use those legs!” Our dad would say. You’d push and push, but your legs could only push so hard. When you got off the bike for a rest, you would say, “Dad, I’m hot.” He would say, “well, you can’t take your jacket off but you can unzip it. Unless you want to carry it.” You thought about it for a moment, then figured that you wouldn’t want to carry it while riding a bike. 

On our first day of school, we would wait outside the classroom with our teacher for our parents to pick us up. When we saw them, we would get so excited and jump into their arms. “Mummy! Daddy! Guess what!” You couldn’t wait to tell them about your day. “What? What?” they responded. “I got a sticker for helping someone in class today!” They would give you high fives and tell you what a good job you did. They were so proud of you. 

The small moments in our childhood only seem impactful when we grow older. We wish that we could go back. It’s our everyday life that, when we think about it, makes us happy. Makes us glad that we experienced it. 

What a time to be eight years old.

"A Day"
By Bradley Duncan

The drop bin was filled to the brim with returns. I grabbed them in fistfuls, sorting them into neat, precariously tall stacks, and slowly transferred them to the counter. There were splendidly few VHS tapes in the bunch — the format had been mercy-killed pretty quickly since the price of DVD players had come down. Nobody at work complained. We were happy not to have to rewind them, and they were bulky and comparatively heavy to lug around.

Something Disney droned on the TVs that encircled the fishbowl of a store while I checked and scanned the returns. Open, check, close, scan, stack, repeat. One eye was always on the screen. If you mis-scanned something and didn’t notice, you could go through a whole bunch without the system acknowledging it. You always watched the screen — that and Shrek if it was playing. It wasn’t playing now. It was a promotional music video for the new Lizzie McGuire movie. 

Even for a Monday it was mercifully slow. I went to the cooler and grabbed a bottle of Coke, rang it through the register, and wrapped the receipt around the bottle, securing it with an elastic band. In addition to the security cameras everywhere, regional managers would pop in randomly. Nine a.m. may seem early for a soda, but I hadn’t been sleeping much. I layed the DVD cases in a line and jammed the locks into the slots along the opening edge. Then another row, and another. Nobody stole tapes. DVDs got stolen by the boatload.

I transferred the stacks to the return cart — a black, metallic, multi-tiered, doubled-sided wagon on wheels that no self-respecting employee ever moved. The cart was, from time immemorial, just for sorting and organizing. You sectioned the returns, alphabetized them, and then carried as many as possible on your rounds. It was a rite of passage. Biggest stack wins. It was an unspoken rule. 

I printed off the call-list after the returns were back in their homes and regretted not making someone newer do it. Twenty-one pages of movie names and customer details for outstanding rentals. Fifteen to twenty names to a page. Sulking, I walked to the candy display and grabbed a bag of Clodhoppers — chocolate-covered cookie things that I was mildly addicted to. Scan, pay, receipt, staple, tear, munch

The list was easy now. Most people had answering machines these days. Fewer actual conversations. “Hello, this is Brad from Rogers Video. I’m just calling to remind you that such-and-such was due back eons ago, and you’ll probably never return it until forced to come back once you’ve done the same shit at Blockbuster and rack up an ass-load of late fees. Have a great day.” I’m paraphrasing. A few pages in, I finally got a real person. 

“I returned that one last week,” he said. 

“Oh, I’m sorry, it’s on my list as outstanding. Let me look for you real quick.” A quick jaunt out to the comedy section located the title in question. “Hi. It was Police Academy 3 right? I found it. Sorry for bothering you.” 

This is what happens when you don’t keep an eye on the screen, minions. I scanned it into the system using a computer function that won’t apply late charges… since it was sitting on our shelf the whole time. It was also what the staff used when we forgot to bring back our crap. The deeper into the list I got, the more titles I found. I bought some Twizzlers. 

Someone came in looking to buy a cell phone, but I was still by myself and a phone sale could take over an hour. You had to get tons of their info, fill out paper forms, call into customer service, wait for someone to help you, read all the info to them so they could enter it on their end and check their credit, set up the phone, and then actually sell it. Today, it was easier to say we just didn’t have it in stock, even though we definitely did.

Shipments of new titles arrive every Tuesday, which is hands-down my favorite day of the workweek. It’s sad, but it’s like Christmas. You get all these boxes, and sometimes you know what you’re going to get — what new releases are arriving that you can take home to watch before the public gets them — but sometimes there’s some real surprises too. Sometimes you open up a box that makes your day. Tuesday is also a puzzle. It’s the day you look at the “New Release” wall and totally reconfigure it to fit the new stock. Sometimes it’s easy, and sometimes it’s a nightmare, but it’s always rewarding when it’s done well, with all the boxes straightened and orderly in perfectly arranged rows. Most people don’t put the care into it that I do. Philistines, all of ‘em.

Today, however, is not Tuesday. It’s Monday. Monday is “the pull.”

To make room for the new shit, you have to remove the excess. Hundreds of titles come off the wall, are matched with their retail cases in the back room, and painstakingly shrink-wrapped and priced. That will take up the rest of the day, and the rest of the day for everyone else too. It’s a big, tedious, dull job with one upside.

Lizzie McGuire is back on the televisions as my shift came to a close. I donated my remaining Twizzlers to the cause and the night shift gratefully accepts. We’re all sugar-addicts here. I grabbed a few of the new release titles I’m interested in owning that look pristine and unscratched, stowing them away in a corner of the back room. Shhh. They always start off at $19.99, but come down in price over time, and sometimes end up on BOGO sales. I’ve got a dozen films squirreled away, waiting until the titles get relegated to the discount bin and I can add to my swelling collection. The job had its perks. I grabbed one more bag of Clodhoppers for the road.

"Divided"
By Emili Moriah Kaplin

I immigrated to Canada on my ninth birthday. And on my ninth birthday, I became separated into the old me and the new me. The old me is the one that remembers my homeland like the back of my hand, remembers my friends’ faces clearly and their voices echoing in my head. Then there’s the new me. The me that has not stepped foot on that land in over a decade. The me that doesn’t remember what the street I grew up on looks like anymore, so my mind plays tricks on me and swaps out the brick pathway for a concrete one, the palm trees for pine trees. I have been divided into two, but I can’t go back. I can’t simply go collect the old me I’ve been forced to abandon at the gate. Not without signing my life away. 

I remember my fingertips grazing the rough limestone of the Western Wall as I left a note for God to read. How innocent the old me was. I remember the sunlight reflecting off the golden Dome of the Rock, being blinded by my country’s beauty. 

I wish I knew to appreciate my homeland for just a couple seconds longer. I wish someone had told me I’d never see it again. I wish I knew the old me would be left behind, forever unreachable. 

"The Mother’s Sun"
By Emmaline Spencer

Content warning: The following story contains depictions of suicide, reader discretion is advised.

The boy in the photo has infiltrated my dreams. The sun shines down on him, making the dirty blond hair of his glow in an angelic way. The warmth feels so real; Is this really a dream at all? A light breeze flows in the air, bringing the smell of salt mixed with the bitterness of iron. Seagulls can be heard squawking in the nearby distance. The waves roll gently onto the sand before splashing back unto themselves and settling back into the ocean blue. Shells that washed up onto the shore from the ocean create a cascading path along where the water meets the sand. He walks along the path with a bucket in hand. Occasionally he picks up a shell and admires its beauty and colour before placing the shell in his bucket.

The nostalgic scene makes me never want to wake up. This is a paradise that I barely remember. I don’t know where I am in this dream, but I get to follow the boy. I feel like a cameraman watching through the lens and capturing every moment. I am condemned to stay behind the lens and to never interfere or meet the boy. A glass wall keeps us separate.

The boy has finally filled his bucket with shells; all of different sizes and colours. The joy on his face is so bright — he could be a sun himself. Suddenly he breaks away from staring at his shells to search the surrounding area. He starts to look around; Will he see me, or am I invisible to him?

Mom? Mom, where are you?” the boy calls out, as he looks around the beach. He seems excited to find her when she doesn’t respond. He walks along the beach, seeking his mother. As he walks, the scenery changes slightly and ever-so-slowly, the closer he gets to the end of the beach. The wind picks up a little and the boy lets go of his bucket of treasures. He grabs tightly to his jacket to keep warm. The noise of squawking seagulls shifts into the screeching of vultures and the noise only grows louder the further he walks. Clouds roll in without notice and cover the sun until no rays are let through and the area loses its idyllic atmosphere. The clouds grow darker as if a storm is brewing. I want to wake up. No more. No more. No more.

Tears fall from the boy’s eyes as he calls out for his mother again, this time louder. “Mom! Please stop hiding!” There is no reply once again. The excitement of hide and seek has lost its flare as the boy is sniffling and still searching. The beach has come to an end as the sand blends with grass. He stands at the bottom of a grassy hill and holds tighter onto his jacket before taking a step forward away from the beach and closer to the sounds of vultures. The smell of iron is nauseating. It’s no longer just a scent; I can almost taste it in my mouth. A water droplet falls on the boy’s forehead as he walks cautiously up the hill. A few more droplets fall until it is fully raining and the tears on the boy’s face are indistinguishable to the falling rain. Make it stop. Go back to the beach. Don’t dig any deeper, please.

Everything grows darker and blurry as he reaches the top of the hill. At the summit of the hill is a cliff side. Don’t look. He looks over the edge, being careful not to fall. The vultures are circling around something at the bottom of the precipice. At first all that can be seen are jagged rocks and water that violently rushes against the cliff side, splashing and sloshing between the rocks. As the vultures widen their circle, more can be seen. Not even all of the ocean waves could wash away the disasters below.

She would be completely unrecognizable if it weren’t for her green sundress decorated in blue daisies. The dress is soaked red now, but the pattern is unforgettable. The bleeding red blends into the surrounding water until it completely disappears. Her woven straw hat sits in the claws of a vulture. The boy’s seemingly endless spout of tears come to a striking halt. He stares blankly at the horrific mess of red. A vulture releases her untainted straw hat and it floats gently down.

“Mom?”

I wake up in a cold sweat. I feel like my breath is caught in my throat as my shallow breaths barely escape my dry mouth. My heartbeat is still racing away. I lay in my bed unmoving, waiting for my heart to calm down and for the tremors to stop. I stare at the white ceiling, noticing every detail of it, every bump and ridge. I close my eyes for a minute and breathe slowly, as the doctor had recommended to me. It was just a dream. It was a dream and nothing more.

I open my eyes again and flip the bed covers off myself. I sit up on the edge of the bed and take one last deep breath before getting up and starting my morning routine. Going through the motions, I take a shower, brush my teeth, comb my hair, and get dressed for another day of studying and working. I make sure to change my bed sheets and throw the dirty set in the wash before I head down to the kitchen. I double check the contents of my backpack. After making sure everything is in its place, I grab a red apple to eat on my bus ride to campus.

I write in a journal for my doctor on the way to school: People will tell you on the day of, “if you ever need anything, anything at all” to just call them. They will say that over time, the pain fades away and that things will get better. They will say to you that they understand what you’re going through. They will be at your hand and foot, for a month, and then they will move on because none of them ever really cared. They will act as if everything is okay and that the agony you feel has magically stopped. They will stop asking in a gentle and concerned voice, “how are you doing?” and will revert to a casual “what’s up?” and fist bump as if they don’t remember what happened. One year will go by and no one will send you a card with heartfelt wishes anymore. Instead you will be alone. You’ll go to your class and smile for show. You won’t tell anyone that you cry every night and that the nightmares never stopped. You will cut off the sadness you feel, but only when others are around. You will distract yourself with whatever you can during the daylight hours. You will talk to people whether you like them or not, just so that you won’t be alone with your thoughts. You will do things you didn’t do before. You will stop doing things you did before. You will do whatever it takes to feel like you aren’t you because being yourself hurts more than anything in the world right now.

The Doc asked me to write whatever I felt like and to not hold back. Doc also promised he would be the only one to read it. He hasn’t given me bad advice yet, so I write as he tells me to and follow his directions.

I attend my classes and give smiles and head nods to people in the hallways. I never say hello because I don’t remember their names. I eat my lunch, not because of hunger, but because it’s what I’m supposed to do. I’m meant to be normal and have the same white picket fence appearance of everyone else. God forbid I have emotions outside of being happy and cheerful. I read books or play games on my phone between classes; even five minutes alone is too much. I go to work and do the best that I can. My boss might not believe that the work I do is my best, but it is the best I can do right now. I go to my house and say hello to a cold and empty apartment. I don’t eat dinner. No one is watching anymore, so why act? It’s already 10 p.m. by the time I finish my homework and make lunch for tomorrow. I will have to get up early again tomorrow to repeat the mundane activities of life. I sit in my bed holding the bottle of sleeping pills and question whether I could ever handle going to sleep without them again. I open the bottle and pop out a capsule. I stick the sleeping pill on my tongue and drink some water to get it down. I lay down in bed and wait for sleep to take me.

The sun shines down on the boy creating an angelic halo around his head. The warmth of the sun feels humid and overbearing. The cloudless sky looks far too bright and blue. The ocean is calm with only the softest of riffles and splashes made from the creatures within. Seashells on the sand lead on like a cookie crumb trail tailored just for the boy. The boy follows the trail of shells, picking up each one and placing them in his bucket. The air is unmoving in the humid heat. A bluebird’s sweet song can be heard despite being at the beach. 

The trail of shells leads up a grassy hill, to the cliff side. Please, not again. With an innocent smile on his face he happily reaches the top. His bucket is full of shells, he couldn’t be happier about how every shell fits in perfectly. His hair is damp from the heat and from all of the walking.

Bluebirds flitter about the edge of the cliff. The bluebirds keep singing and the sky remains blue as can be. The boy looks over the edge. There she is. Her body is mangled and the blood won’t stop turning the surrounding water into a crimson red. The green dress with blue daisies somehow remains unscathed and untainted, as if nothing could dirty it. Her woven straw hat is splattered with fresh blood as it falls from the sky and floats down gently to cover the massacre of her face. 

The boy keeps smiling. He looks excitedly down at the mangled mess below. His face is the same as if she had her arms open wide and had just come to pick him up from daycare. Why are you smiling? She’s gone and not coming back. Stop it.

Mom!” he says with a smile right before dropping his bucket and walking off the ledge. The boy joins in the horrors below. His beautiful seashells scatter on the ground of the cliff, some of which roll off the edge as well.

I awake and my face is wet with tears. The tears soak my pillow and my hands are clenched onto my blanket. The dreams are driving me mad. They haunt my sleep and shadow me throughout my day. The dreams leave me with nothing and no one. Forever incomplete, there is no resolve to be found. By the end of the day I will have forgotten this dream and I’ll be met with a new one.

I reset my mind again and close my eyes for a minute before going on with my daily tasks. Again and again, the cycle never ends. On my way out the door I turn the photo face down. I can’t look at it anymore.

I write another entry in my journal for the doctor: Today, I will throw myself into my work. Tomorrow, I will keep breathing and moving. I have to keep moving or the ghosts will choke me again. Breathe. Breathe. Breathe. I will eat enough to stay alive; anymore and I think I would vomit. I won’t cry in front of anyone — that would scare them. I will lie to them and be the actor with the world as both my stage cast and audience. I’ll take the skeletons out of my closet and have a yard sale, if it keeps them from looking for the fresh bodies I keep hidden under the floorboards. I will be who they need me to be. 

Study, socialize, smile, laugh, eat, study, work, and go home. Another day has gone by. My memories of the incident stay with me during the day as a reminder of these chains I put myself in. These shackles hold me hostage and I yearn for freedom. Who was I before? I finish my work for the day. Here I am again, sitting on the side of my bed debating taking tonight’s sleeping pill. Maybe I could handle sleep on my own this time. I put the pills on my wardrobe in case I need them.

I lay in my bed and look at the empty ceiling. This bed feels empty. I feel empty. Am I just a shell of a human? Was there anything I could have done to change the outcome? I can still remember it vividly. I touch my face and realize I am crying again. I choke back the sobs trying to escape from me and wipe away the tears. Maybe I should take the sleeping pill; at least it’s better than this living hell. I grab the photo and the bottle of sleeping pills from my wardrobe across the room. I put the photo on my bed for a moment while I open the bottle up and swallow a pill. I put the bottle on my night stand and hold onto the photo as I lay in bed.

The sun is shining on the boy and his mother. She sits on a blanket with a sun umbrella by her side. Seagulls fly by in the sky and the boy points to them. The mother smiles endearingly at the boy and stands up to chase the boy on the beach. They play together and make sand castles. The boy uses shells to decorate the castle. It’s a world in which only they exist. Together they stand on the beach, watching the ocean waves roll up onto the sand and their feet. They laugh and smile as the sun begins to set. 

The scene changes and the boy disappears. I’m at the front door of my apartment. I knock on the door. The mom still in her green dress opens the door. 

“My little sunspot, you’ve grown into such a big boy!” The mother smiles and greets me with a hug. “Why are you standing outside? This is your home too!” She pulls me inside.

The apartment is how I remember it used to be. Photos of myself and her everywhere, poorly drawn pictures I used to make as a child that she kept, and all of her ocean crafts all over the place. This is home. 

Everything changes again. Suddenly the apartment is a mess and the mother is wearing a black dress. “Hey Mom, what’s with the new dress? Where did all your knick knacks go?” The words escape my mouth without meaning to. I look around more carefully and there are a couple empty wine bottles on the dining room table. “Don’t worry Mom, I’ll clean the place up for you. After all, you cleaned up after me my whole life,” I joke.

She gives a small smile and nods at me. “You always were my sunspot. I’ll be right back, okay? Just a few minutes for some fresh air.” She goes out on the patio while I start to tidy the place up. I pick up the laundry and put it into a bin. I put the dishes in the dishwasher and turn it on. I pick up the wine bottles and put them in the recycling bin. By the garbage can I notice an orange pill bottle that missed going into the can. What did she need antidepressants for?

“Mom? Mom, where are you?” I start to panic and look into every room in the apartment. “Mom! Please stop hiding!” I yell as I keep searching. I had searched every room before I heard the car alarm blaring. I walk onto the patio and look over the edge. The car windows are shattered from the impact. Her limbs are bent and broken. Her blood can’t be seen on her black dress, but the splatter on the car and sidewalk are undeniable. My heart is pounding uncontrollably. “Mom?”

I wake up sobbing. My breath is out of control and my chest is heaving. I never wanted to relive that day of a year ago. I still don’t know why she did it. I did everything I could to erase the memory of her except for the photo. The photo is still in my hands. I look at it once more. It was always my favourite picture. The day we had taken it had been the perfect day. I was only nine at the time and collected shells for the crafts she made and sold at farmers’ markets. We’d spent the day at the beach and took a photo together in front of the bright sunny sky. I still wonder if I had done something to cause her to jump. It was only a year ago. 

I call the doctor to schedule a last minute appointment for lunch. I need to talk to someone. This life I live is unbearably painful without her. I moved in after she passed away because I couldn’t let the place I grew up in go to someone else.

I write another journal entry for the doctor before I see him this afternoon: The world is an unfair place that takes and takes and takes. It takes lives and takes the joy out of people. The world is unforgiving and bullies those who are already hurting. The world is full of sad and angry people that will bicker and fight for meaningless things if it means having a fleeting moment of happiness. This is the place we live in. A place where it’s easier to kill ourselves rather than hold on to that sadness and wait for another moment of happiness. This world is full of bad and good. It leaves us full of questions and never gives us the answers. 

I wait out on the patio and smoke a cigarette as I wait for the doctor to show up.

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