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Soundbite: Hello Moth

This article was published on September 5, 2018 and may be out of date. To maintain our historical record, The Cascade does not update or remove outdated articles.

 

Hello Moth, from Calgary, played Abbotsford Friday night.

His art is a performance of looped keyboard synthesizer and vocals with heavy effects. The result is a theatrical electrico-pop, making Hello Moth a kind of avant-garde singer/songwriter, touching on religious and esoteric themes.  

Moth’s music works as a study of the layers of a song interacting with one another in what creates a complex soundscape. Where the scream of a synth may be typified as video game music, Hello Moth’s compounding layers embolden each track into a choir of loops.

Though Moth’s studio recordings stand on their own, well-composed, his performance demonstrates the craftsmanship required to build each song. Hello Moth masterfully loops snaps, croons, and mic taps — what you hear isn’t what you see, and yet his fingerprint is on all of it.

Hello Moth has two full-length albums. His most recent release, Nebula Songs, was released in Oct. 2017.

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